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With the help of Lieutenant Jim Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart), the Batman (Christian Bale) has been making headway against local crime... until a rising criminal mastermind known as The Joker (Heath Ledger) unleashes a fresh reign of chaos across Gotham City. To stop this devious new menace ?Batman's most personal and vicious enemy yet ?he will have to use every high-tech weapon in his arsenal and confront everything he believes.


Around the time it came to theaters, many BD collectors already had a preview on their HDTVs showing the superior resolution of The Dark Knight. Its prologue was included on the Blu-ray version of Batman Begins. Since that prologue sequence was shot using IMAX cameras, the question arose how it would integrate with other sequences--whether Nolan would opt for 2.4:1 throughout the BD, or deliver dual aspect ratios to more closely approximate the full resolution of the source material. The question is now put to rest. Approximating the viewing experience in IMAX theaters, the Blu-ray version of The Dark Knight shifts between 1.78:1 and 2.4:1 sequences, which is a tremendous asset in preserving the vision of the filmmaker and in attempting to get an IMAX-like experience in viewers' home theaters. The prologue, as well as other 1.78:1 sequences, appear with lifelike detail and good depth. Some have complained about the subtle use of edge enhancement as detracting from the overall picture quality, but I believe what they are seeing is an ever-so-slight glow effect that makes the bright areas of some scenes appear heightened. Deducting points for this type of brightness would be silly. Meanwhile, the black level is remarkable as it conveys all gradations of grey and retains very good definition. Since so much of the film has dark, dimly lit scenes, the inky blacks contribute greatly to the depth and weight of the picture.

So how does the resolution of the 2.4:1 content compare to the 1.78:1 picture quality? Believe it or not, the detail remains nearly consistent in both aspect ratios--there's just more presence in the scenes shot using the IMAX cameras. Non-IMAX sequences give up surprisingly little in definition. Perhaps the most extraordinary scene to view the differences is when Batman raids the high rise building in Hong Kong to extract Lau (Chin Han). In the full IMAX resolution, with much of the screen enveloped in deep black, Batman is shown perched above the city. He then descends through the air, breaking through the window nearby the desk where Lau is working and quickly dispatches Lau's body guards. Finally, as he holds Lau near the broken windows, both men are whisked out of the building by a floating device and a passing aircraft. The complicated, busy action coupled with poor lighting would be problematic if not for the detail delivered both by the 1.78:1 and 2.4:1 shots that make up the scene. While the IMAX picture is preferable because of a greater sense of depth and resolution, the 2.4:1 content shares its small, gentle grain and otherwise clean, highly detailed presentation. Some element of the grain has a digital sheen to it, but I cannot justify deducting a point or half-point for that.

Hardly a frame of The Dark Knight seems less than perfectly shot, framed and produced for 1080p. While videophiles can always nitpick, it's important to put the picture quality in perspective by taking a look at Batman Begins. That BD lacked the vibrancy and detail that, thankfully, are on display throughout The Dark Knight. The comparison with the earlier film is no contest. Watch the IMAX aerial shot looking down on Wayne's yacht. The extraordinary depth makes it appear that you could take off into the picture on a hang glider and float down to the water. The enticing video quality has a similar effect in the prologue, when two of the Joker's henchman rappel from one building to another. The picture appears rich and deep, giving the illusion that one could step into the screen and rappel with them. Though these examples feature the extraordinary IMAX sequences, the 2.4:1 sequences often have this effect as well. Above all, the tremendous definition and delineation within dark areas of the screen push the picture of The Dark Knight all the way to reference quality.

Blu-ray DVD Movie Disc - Inglourious Basterds Features

Video
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 2.40:1, 1.78:1
Original aspect ratio: 2.39:1, 1.43:1

Audio

English: Dolby TrueHD 5.1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
French: Dolby Digital 5.1... (more)
English: Dolby TrueHD 5.1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (less)

Subtitles

English SDH, English, French, Spanish

Package Content

Blu-ray DVD Movie Disc - The Dark Knight x 1

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